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This exploration of gesture, form and motion makes use of purpose-built tools to apply overlapping strokes of acrylic ink to handmade paper. Brush work immediately follows to smudge, distort and add detail before the ink has had a chance to dry.

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Zero
Fetch
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Mark making experiments working with acrylic ink, found objects and constructed tools including rigs to constrain the movement of ink-covered steel bearing balls thrown and rolled onto canvas and paper.

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Trapeze
Ringmaster

Theme-based form studies and experiments with strokes of water brushed onto paper before acrylic ink is applied. The color palette was limited to black, orange and blue.

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